How Does it Make You Feel?

When you create a photograph, what is it that urges you to click the shutter at that moment? When purchasing a photograph in your favorite gallery, what is it about that image that called out to you and stopped you in your tracks?

Many people simply don’t know. It is that indefinable something that whispers in your ear so softly that only your subconscious can hear. Is it the composition or colors? Perhaps you felt a special connection to the subject of the photo. Whatever reason you come up with, it can probably be drilled down to the very core of what makes a great photograph. How it makes you feel. And because we all look at art through a different cultural and experiential lens, a single image can elicit a different visceral response from everyone who views it.

Take this photo, “Shaker Dreams”, as an example. What feelings does it evoke in you when you look at it?

Does it make you feel nostalgic? Scared? Hopeful?

I’ve had a variety of responses to this photograph. Some people find it a bit scary. They don’t want to know what’s behind the door and the last thing they would want to do is climb those stairs to find out. Others are filled with hope and anticipation. They are bursting to know what is behind a door with such glorious light spilling through its window.

How does it make you feel?


--Janet Worne

“In The Mind’s Eye” Opens On Friday

When the Albuquerque Photographers’ Gallery sent out the call for entries for their first juried show, “In the Mind’s Eye”, they asked for photographers to answer the question: “What is your vision of the world?” The instructions elaborated, saying that “it could be surreal or authentic, fantasy or truth—or it may include elements of both”.

The response was fantastic with over 100 photos entered from artists who have created a collection of highly imaginative images, and in some cases, surreal enough to be a backdrop for the most stylized of science fiction films.

Images were evaluated independently by three award-winning professional photographers and scored based on three criteria: Creativity, Technique, and Impact. The judges were Leroy Perea, founder of ANMPAS (Annual New Mexico Photographic Art Show), Urey Lemen, a founding member of APG, and Kent Winchester, also a member of APG.

The top 30 scoring images will be on display at the Albuquerque Photographers’ Gallery in Plaza Don Luis, Old Town Albuquerque, from February 3rd through the 29th. The opening reception will be on February 3rd, 5:00 to 8:00 PM.

For more information visit the APG website, www.abqphotographersgallery.com or call (505) 244-9195.

We hope to see you there!

Georgia O'Keefe Quote

"To create one's own world in any of the arts takes courage."

--Georgia O'Keefe

The Dawning of a New Year

It begins with a gentle lightening of the horizon. No more than a hint of what is to come. So subtle and gradual is the beginning that it is not always recognized for what it is. It could be the lights of a nearby town or the harsh beacons of a highway. It couldn’t be the dawn. Could it?

There is something magical about the moment when night changes to day. That precise moment is calculated and published in newspapers. The longest and shortest days are celebrated as solstices. Even birds become silent in reverence for that moment.

Then it pounces. Minute by minute the sky evolves and suddenly a new day is born. Each one begins in a different way. Sometimes it’s a symphony of light and shadow blending brush strokes of crimson and pink over a dark, dusky blue. Always changing, never waiting until the camera is in the right place, never hesitating for “just one more picture”.

And sometimes the dawning is cold and dreary. Black drains from the sky to reveal a gray, monochromatic world, as if it were veiled to the eye. Trees float into focus as the minutes silently pass.

When enough of the new light filters through, the day begins in earnest. The wind picks up, birds begin to sing, and people move about. Suddenly, it’s another day.

The dawning of the New Year has always been a time of hope, a new beginning. There is the feeling that no matter how dark and dismal the past has been this day is the first day of the rest of your life. It is a chance to start fresh. Past mistakes don’t count.

But why this day? Why do we not celebrate it on the first day of spring? Or on the day of the first new moon? The fact that different countries and religions celebrate it on different days tells us that it’s not the particular day that is important. It’s the feelings we associate with it. So wouldn’t it be nice if we made a fresh start every morning as the sun slips past the horizon to banish the dark corners of our lives?

Happy New Year. Happy new day.

--Janet Worne

Henri Cartier-Bresson Quote

“A photograph is neither taken nor seized by force. It offers itself up. It is the photo that takes you. One must not take photos.”

--Henri Cartier-Bresson

Minor White Quote

“Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts.”

--Minor White

Living With Photography

You have acquired a stunning collection of photographs. Now what? There is nothing more paralyzing than facing that blank wall and wondering how to begin. The good news is that there are a few guidelines and suggestions that will help you make that commitment, hang the pictures and still keep the “Wow!” factor that drew you to the images in the first place.

Start by studying your collection and looking for patterns or themes. Are they mostly Black & White? Do you prefer color landscapes? Or is it an eclectic mix? How about your room décor? Is it traditional and formal? Or do you lean toward casual and unstudied? You can choose an arrangement that complements the space.

If you have one large eye-popping image, your job is a little easier. But a small or medium sized photo can look lost on a large wall. Grouping a collection of photos can have more impact than dotting them around the room. Group photos by topic (architecture, landscapes, rusting cars, etc), style (black & white, color, dark and somber, etc), or by frames (black metal, brown wood, barn siding, etc). And sometimes the unifying theme is its diversity.

This process is highly personal and there are no right answers, only results that make you feel good. Here are a few tips to get you started:

-Use newspaper or brown craft paper cut in the size and shapes of your art and try out different arrangements by taping them on the wall. Or lay the artwork out on the floor to help you visualize the result.

-A grouping of photos works best with 2-3 inches between frames, you can tack strings on the wall using a level to keep a consistent space between photos.

-Framed photos can be grouped on shelves.

-Arrange smaller pictures around a large anchor picture.

-A row of photos hugging a chair rail emphasizes the architectural detail.

-Anchor your art to a large piece of furniture. As a general rule of thumb, a large grouping of pictures over a sofa should be about two-thirds of the width of the sofa and about 6 or 7 inches above the back.

-When not anchoring to furniture, hang at eye-level.

-But the most important thing to remember is; always follow your gut and break the rules when it feels right.

--Janet Worne